[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"news-2463-EN":3},{"images":4,"news_id":15,"posted":16,"pk":17,"published":18,"tile_image":6,"tags":19,"body":20,"summary":21,"permalink":22,"title":23},[5,7,9,11,13],{"filename":6},"blog_2463_635941588382900000.jpg",{"filename":8},"blog_2463_635941588304220000.jpg",{"filename":10},"blog_2463_635941588459780000.jpg",{"filename":12},"blog_2463_635941588539390000.jpg",{"filename":14},"blog_2463_635941588614830000.jpg",2463,"2016-03-21T12:00:00#2463","news","2016-03-21T12:00:00","#editorial#animal and nature#nature#3d#landscape#map#maps#paper sculpture#gail armstrong#magazine#world#parks#","\u003Cp>The quarterly glossy by Conde Nast&nbsp;asked&nbsp;Gail for a double page spread image to illustrate an article on sculpture parks of the world - they required a green and white map that conveyed sculptures in landscapes as opposed to&nbsp;galleries. Gail says \"I used a variety of paper sculpture techniques on the land, so that sculptural structures and elements also implied trees, mountains, cacti, flora, etc, without becoming too literal or specific. I then used layered white paper around the land to create a rippling sea effect.\"\u003C\u002Fp>","Baku Magazine commission \u003Ca href=\"\u002FGailArmstrong\">Gail Armstrong \u003C\u002Fa>for a paper-sculptured map of the world.","\u002Fnews\u002F2463\u002Fsculpture_parks","Sculpture Parks"]