An optional step for more complex animations, a scheme might feature one character and a partial background to define the style for the rest of the production.
If the character style is agreed, we will work up a rough set of pencil characters for approval before taking them to colour.
Starting with the agreed concept, we will work up a rough set of pencil and prop designs for approval before taking them to colour.
Begins with a rough working document which allows for some changes. A storyboard can also identify what will be hard to do, blow the budget or interfere with a smooth production.
An option. Essentially an animated storyboard which, by identifying things like any overly long section, can save a lot of time later. Uses the voiceover or we can lay down a rough voice.
If required, it’s time to choose your voiceover artist. This is sometimes done before the animatic.