
Studio Duco’s latest commission unfolds across time rather than a single page, with a sequence of illustrations created to accompany The Bowie Knife That Killed Dracula in Texas Monthly.
Spanning multiple issues, the work responds to the pacing of a serialized narrative, building atmosphere and continuity with each instalment. Chris approaches each scene with a cinematic clarity, balancing character, tension and setting to mirror the story’s evolving rhythm.
The final image, Last Stand in Transylvania, draws the series to a close with a dense, shadowed confrontation, where composition carries the weight of the narrative’s climax.





